I sometimes feel like I have a secret identity. ‘The undercover writer’
During work hours I sit in the office and dutiful work for my paycheck.
But in the quiet moments, maybe during a rainy lunch break or while on an extended tea break, I write.
While I type, the grey walls disappear and the harsh florescent lighting fades and I can create my own world. Even if it is only for a few minutes.
In amongst my office paperwork, I keep notepads with scribbled stories and sticky notes of ideas.
Everyone should take the time out of each day to do something they enjoy, even if it isn’t particularly constructive. Five minutes reading my favourite book is better than five hours typing spreadsheets in my opinion.
Everyone should have another identity other than their job, even if it doesn’t pay the bills.
Sometimes the urge to write is so strong I feel distracted and unfocused until I write something down…
It doesn’t have to be profound, or even any good, but I always feel calmer once I have written down any tangled thoughts. Worries or anxieties that are pacing around in my head seem much more harmless on paper. I can look at them with perspective and dismiss them much more easily.
Writing is sometimes an itch that I need to scratch. My house is full of notebooks filled with half formed sentences, unfinished stories and illegible scribbles. Each notebook is a snapshot of a certain point in my life. From faithfully updated teenage diaries to books filled in from my student years, the notebooks cover huge chapters of my life.
Those scraps of writing don’t mean anything to anyone else, not even to me when I read them back. But those words were worth enough at one point for me to want to write them down. Hopefully I will continue to collect my notebooks, until one day I might even take the time to re-read my past.
I have always thought writing to be a lonely career. I envisioned great writers to be social pariahs, shunning social events for their craft. I imagined them scribbling away all hours of the day and night at desks in dusty rooms filled with books.
But while this may be the case for some, many famous authors would spend hours talking and working with other artists, poets and writers. An example would be the ‘Lake Poets’ Wordsworth, Coleridge and Southey who lived and worked together at the turn of the 19th century.
This is also true in the present day, where we gain so much from a sense of community as writers and artists. Whether it is meeting face to face for writing groups or sharing our stories online, we are able to connect with each other and learn from each other.
Most people write to share with others, to entertain or to connect through similar experiences. By reaching out through a story you create a bond between yourself and the reader.
Writing is far from being a lonely endeavour, it is what brings people together from all manner of different backgrounds and allows us to communicate with each other.
Without the support, the inspiration and even the criticism that other writers give me, I would probably watch a lot more TV.
“The Austen Project pairs six bestselling contemporary authors with Jane Austen’s six complete works: Sense & Sensibility, Northanger Abbey, Pride & Prejudice, Emma, Persuasion and Mansfield Park. Taking these well-loved stories as their base, each author will write their own unique take on Jane Austen’s novels.”
When I found out about the project I thought that it was a wonderful idea, to take a well loved classic and re-write the story from a different perspective. I think it will breathe new life into classic tales, that are at risk of becoming merely ‘ornamental’ features on the bookshelf . Personally, I’m guilty of collecting Jane Austen’s works and letting them gather dust, as I am often not in the mood for the Jane Eye after a long day at work.
The fact that other brilliant writers will take the time to lovingly craft another passage in each books story shows the lasting legacy of Jane Austen’s appeal. I believe it is a fitting tribute.
However, there are arguments for leaving a classic work alone and leaving the characters within a book unsullied by another authors touch. Some comments on the project suggest that it is ‘just an attempt to cash in Austen’s popularity rather than any serious literary venture.’ Or others suggest we are ‘dumbing down’ brilliant novels in an attempt to modernise the story. Or that it is merely laziness to take a story and wrap it up in different packaging.
But to this I quote another classic literary genius;
There is no such thing as a new idea. It is impossible. We simply take a lot of old ideas and put them into a sort of mental kaleidoscope. We give them a turn and they make new and curious combinations. We keep on turning and making new combinations indefinitely; but they are the same old pieces of coloured glass that have been in use through all the ages.
– Mark Twain, a Biography
I am suffering from post-project depression.
I have been consumed by my novel for months, writing at full steam every day. Now that it is finished and I have half-heatedly attempted to edit it I am lacking in enthusiasm. Without the daily process of creating the story I feel a bit lost and bored.
I hadn’t realised how much fulfillment I had gained through writing the novel and I feel like I am mourning the loss of a friend now that I have completed it.
I need to find another writing project.
I finished my novel a few weeks ago, before I put it aside and dealt with the stressful experience of moving house.
Now that I am settled into my new home, I have to try and focus on editing the novel – which I am finding more traumatic than the house move!
I feel as though I am stripping the story of all its erratic, rambling eccentricity and taking away its ‘voice’.
I have to be careful not to reduce the novel to a silent shell but focus on trying to put it back together stronger than before.
What makes the reader keep reading after the first page? The first Chapter?
What keeps the reader reading when they should go to bed or when their favourite program comes on TV?
I throw my poor characters into the middle of a crisis from page one. I hope the reader will stay long enough to find out if they are OK but they don’t know the characters well enough to care yet.
Writing is a manipulators game. Trying to buy the readers curiosity or empathy with promise of adventure or love.
I need to learn The Game and give my characters the best chance at life.